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TEST DRIVE MEME #10

a. that's where we both belong
[you wake up.
it doesn't matter where you were before. going to bed? dying? opening the door to face a great evil? same result. you wake up in a soft bed with starched sheets in a cool, darkened room, sunlight peeking out from behind thick curtains. maybe you're alone; maybe you aren't. maybe you immediately notice the folded paper on the bedside table near your head. if you don't, you better fix that real quick: you won't be able to even open the door before you read it.
the note itself is written in a neat hand on white card stock; there is a stylized logo of a ship with the words SERENA ETERNA printed underneath. the note reads as follows:
Dear Passenger(s),
As your cruise director, it is my great honor to welcome you aboard the Serena Eterna, your destination for fun and adventure! We know you could have chosen any cruise line for your vacation, and we're very grateful you chose ours! On behalf of the Captain, I would like to assure each and every passenger that will we do whatever it takes to fulfill all your needs and desires during your journey with us.
At your earliest possible convenience, please attend the mandatory lifeboat drill by the end of the day. I'm sure everyone is very eager to get started on all the fun and sun, but safety always comes first! You can find your life jacket in your cabin's closet; carry it to your assigned muster station on deck one, where I will take you through the drill. If you can't find me in the crowd, just look for the gal with the winning smile!
See You Real Soon!
Sincerely,
Gal Friday
you walk to deck one. you have no other choice: every time you try to step in a direction some unseen being considers "not towards deck one," you find your legs no longer move, staying stock still, frozen. whether compelled quickly by curiosity, or delayed by pure stubbornness, the result is the same, and you are left milling around with other similarly curious or stubborn people.
you see someone in uniform near the front of the crowd. she seems to be a gal, but is missing the winning smile, along with most of her other features. she seems to see you, though, rushing to your side and placing a lei around your neck with great formality. a voice, cheery but artificial, sees to come from nowhere and everywhere.]
Welcome aboard! I'm so happy you could join us!
[you touch the lei. rooster feathers, lotus seeds, and a carved circle of something white and hard, linked onto a silk string.
after the drill is completed, you are seemingly free to go. or, well, your legs work, now. and maybe that's as good as it's gonna get.]
b. and there's plenty of that down by the sea
[it’s strange to think about, isn’t it? how all those new passengers, the ones grumbling or shouting their way through the forced muster drill, have absolutely no idea what happened just last month. no idea about the labyrinth. no concept of why anyone around them would be a bit more hesitant around shadows.
they’ll learn.
sometimes a shadow is darker than it’s supposed to be. very rarely does anything come of that; just a vague sense that someone is watching you, and little more. sometimes, though, the shadows move. sometimes they grab at your ankles as you walk. sometimes they give you a shove as you go down the stairs. sometimes they pull your hair, or pinch your arm.
sometimes you feel something sharp cut into your lower leg.
that’s not a shadow, though. that’s a fiddler crab. you see the crab, sometimes. the cut isn’t from its claws, which don’t look very intimating; it’s not a very large crab. the cut is from the large kitchen knife crudely taped onto its back. it’s probably fine. it's not chasing you. there isn't evil in its heart. probably.]
c. think I'll go back to the Keys
[one day, in the atrium, two pedestals suddenly appear. on each is a large button: one green, and one blue. pressing the blue button gives you a little treat, popping out of thin air next to you. pressing the green button sends a small electric shock through your body. weird, but, hey, pretty avoidable, right?
except, it seems to be spreading. to every other button on board.
in the elevator. on the soda machine. the arcade. your phone. the bell on Friday’s desk.]
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The least surprising part of that explanation is the idea that everyone here has been dragged from a different universe. That might as well be an average Tuesday morning for her at this point, it'd almost be comforting in its familiarity if not for other key words like 'no leaving' and 'designed to kill us' and 'trapped'.
Never mind Jessica. This is a problem of 'being personally lectured by Miguel' proportions.
"Cool. Coolcoolcool." No panicking. Panicking is not allowed. She's got this. "And the good news?"
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Jazz hands.
"Also the food here is free. So."
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"What? No, that's—" not how the quantum mechanics of hopping between universes works, except she doesn't say that because that's not a normal thing for a teenage girl to know with the certainty she thought she did. "—that's insane. Me being the equivalent of a code branch is the good news?"
Then again... Gwen thinks of everything she's learned in the last couple months, thinks about every other Gwen Stacy in the known multiverse and, well, as far as being a version of herself goes—
"...oh my god that really is the good news. Wow. Okay. Would you just— give me a second?"
Without waiting for an answer, Gwen walks to the edge of the deck, pulls her hood over her face, muffles a scream in the thick material, breathes, then throws her hood back down and comes back over with a renewed calm on her face.
"So, let me make sure I'm understanding this: we're copies of ourselves, trapped in like, a bubble dimension, controlled by someone, who sends us on trips where we might die? Is that why there's less than a hundred of you left?"
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"Mm, not quite 'left'. People arrive and disappear all the time. I've been here a year now, but we were never a very big group to begin with. Ah- shit, left out an important part of the good news- nobody dies here. You just come back. We used to have, like, an introduction book for people but people kept adding bullshit and misinformation to it so. Had to get rid of it. We're working on re-doing it."
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Nobody dies. They come back. Well, that's both worth it's own kind of existential crisis and a sick sort of relief, all twisted up into a lovely colourful knot. Congrats, you don't stay dead! Condolences, you will still die!
"A year." A year? "Wow, that's a long time. A really long time. Does no one have any ideas how to get out of here? You are trying, right?"
Thaaaat sounds more judgemental than she means it to, but too late, it's out of her mouth now.
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"Oh no yeah I love it here, nothing better than being stuck with some of the most annoying people any universe has ever coughed up," they deadpan.
A gesture for Gwen to follow.
"Getting into literally any of this is going to involve talking about ship politics, and I'm not doing that until I'm punching something, so we're going up to the gym."
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Yep, nope, that's the correct response and Gwen knows it. "Right. Stupid question. Sorry. This is just... a lot! Really, a lot."
Darcy gestures for her to follow and she steps to do just that, though she's already thinking about if she should be changing into— something else, she's not sure what clothes you can find on a cruise ship in a bubble dimension. Now would be a great time to have been able to grab her spares from Hobie's...
"So, there's politics. Are we talking, like, voting politics or 'awkward holiday dinner with your family' politics?"
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A vague meandering gesture as Darcy tries to find a way to sum up a year of developments.
"So... other people might give you a different version of shit but they're dumb and wrong. We show up, the guy running the place is an asshole who's using us to power the ship. My dad and I talk to him, do some detective work, and... slowly, he starts changing. The excursions get safer, he talks to us more, he starts opening up to the idea of us leaving. He's run this ship the way he has for literal centuries because everyone's gotten so caught up in fighting him that they've made him insanely powerful. The more you struggle against him, the more you hate him, the more it fuels shit. More or less."
Another gesture.
"Or, you know, you can be like some people and decide that he's permanently evil forever and has to die despite the fact that will kill us, and that nobody's ever managed to find a way to do it. That's really been working for them."
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Gwen has her eye on their surroundings as they head for the gym, taking in what she can about the place she is, apparently, now stuck for the foreseeable future. It feels so empty, which she supposes makes sense if there's only 100 people in such a large space. Coming from Spider Society it really is a contrast. (She wonders how many spots there are where she could climb and not be noticed, let alone bothered... she has a feeling she's going to need them...)
The fact there's a gym is nice, though it's been a while since she's had to monitor her strength in a public gym.
"So this place is powered by... the people on board. Our emotions? That's why the trips are designed to kill people, I'm guessing." There's dots connecting, slowly. "And all this means that now there's some passengers who want to fight their way out through the guy in charge, and some, like you, who are more trying to work... with him? Man. This all sounds like the plot of some TV show."
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"But yeah, that's about it. Some of us aren't... don't get me wrong, not all of us are looking to be his best friend or anything, a lot of us just want a way out that doesn't involve all of us dying. You can ask my dad if you have more questions- he's hard to miss, you're looking for the skeleton in a suit. Peter, too- British, eternally grumpy, no eyebrows- or Ava- also British, looks like kind of a greasy supermodel- or my girlfriend Helena- big glasses, has a cane, impossibly cute. They probably know the most out of anyone. And are, like, the friendliest. Generally speaking."
New girl, like everyone, is going to have to work out where she fits in the ship, may as well give her a hand-up right away.
... speaking of-
"I'm Darcy, by the way. Sorry- I've got used to everyone just knowing who I am."
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To herself, Gwen thinks yeah, me too, thoughts filled with echoes of Peter Parkers, men she'd never technically met, greeting her by name, and a collage of the looks in their eyes.
Aloud, she says: "I'm Gwen. Gwen Stacy. Thank you, Darcy, for uh. Not laughing in my face for trying to be sneaky and getting me up to speed. This is all... insane. And I'm from New York, so my scale's already off."
Which is a funny thing to say when two seconds later, she adds: "...wait, your dad is a skeleton? You're not a skeleton."
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In the fraction of the second after Gwen says it, they consider just explaining the situation. But immediately their commitment to the Bit overrides it at the thought of how funny it would be if Gwen thought they didn't know they're adopted. This is exactly how the Bahamanal started and they have learned nothing.
"What... do you mean?" as innocently as they can muster.
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Gwen blinks. "I mean, you're not— obviously you must have a skeleton, but you have. You know. Skin. And hair."
She even gestures helpfully between them and herself, flicking a bit of her own pink-tipped hair.
"So, I mean, I would've thought... a skeleton dad would have a skeleton child?" That sentence sounds insane even as she says it, but here she is. Is that how this works? How would a skeleton even have a skeleton child? Is Darcy... oh, wait. Obvious answer is obvious, but—
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"I mean- obviously there has to be some-" sort of vaguely gestures, "he's never-" they've gotta get Skulduggery looped into this as soon as possible, this is too fucking funny.
"Can you just-" and they tug their unfinished hand-wrap from their hand, retrieving their phone conspicuously as they duck outside the gym.
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Gwen sinks to the floor with too much grace for it to look like the slump it is, legs crossed, hands pressed together like a prayer in front of her face, and mouthing 'oh my god' to herself as she watches Darcy leave.
What just happened? Did Darcy actually not know? No, surely— but they looked...
You'd think a Spider-Person would recognise a bit when she sees it, but this is also the same girl who got herself stuck with the fake name Gwanda, so...
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girl with pink hair + undercut called gwen
if she asks you never told me i was adopted and im having a huge crisis about it
After which Darcy rubs at their eyes and nose until they go a little red, takes a deep breath, and walks directly back in, phone already stowed.
"Hey- sorry, just had to um- anyway, do you like boxing? Or-" they're immediately reaching back for their hand-wraps and wrapping their hands a little quicker.
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Oh, god, their eyes are red. She shouldn't draw more attention to it, right? She should just... let this go. And not make it worse. This is why the only people she kind of counts as friends are other Spider-People. You already know most of the pitfalls with other Spider-People. No one asks another Spider-Person about their relatives unless they're ready for the reality.
"Oh. Um." Gwen holds her ankles, fiddling a little with the ribbons from her ballet shoes. "Boxing's cool. I'm more of a gymnast and a dancer than a boxer, though."
Nevermind that she can punch a grown man through a wall.
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"That's cool," Darcy seems to perk up a bit at the topic change, "I didn't get into gymnastics young enough but-" and just to showboat, Darcy stretches their leg above their head, resting their foot atop the punching bag, "-fencing also needs you to be flexible. For the lunges and shit."
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"Ballet, yeah. I was actually at practice, before, you know, waking up here."
Complete lie, of course, but it's a convenient excuse for being in ballet shoes and a suit that can pass as a very stylised leotard. She can probably come up with a production they were practising for to explain it too, if it came to it.
When Darcy demonstrates their flexibility, Gwen mirrors them by unfolding one of her legs to stretch it up into the air, shin up at her ear with only token help holding it there from her opposite hand.
"That makes sense. I bet you have to be very agile in general for something like that."
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A nod, in acknowledgement of the mirrored showboating.
"You should talk to Fio- my little sister, she's nuts about ballet. She's the only kid on the ship, so she's hard to miss. Pigtails, floating teddy bear, you usually can't miss her. And yes, her dad is also my dad, don't point the skeleton thing out to her."
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"IIIIII will not mention the skeleton thing to her. Promise." The last thing she needs to do is give an actual child that crisis, too...
She lowers her leg to re-cross it with the other and is quiet for a moment. When she speaks again, she's very careful to keep any particular emotion out of her voice besides idle curiosity. "Is it... common, for people to end up with their families here?"
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"I don't know how common it is, but I think it happens sometimes. One of the passengers before us showed up with her brothers."
Which is the truth, while also preserving the Bit.
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"Sometimes," Gwen says, neutrally. "I guess that must be kind of nice. You know, help with the inevitable homesickness and stuff."
That's what she says, while what she's thinking is more along the lines of panic at the idea of her father turning up without warning and her having to deal with what she's been running from. (Another, deeper part of her wonders if it'd go better, in this strange new place; that same part is the one now cradling the bundle of homesicknesses that is already expanding to cover her entire home multiverse.) But it sounds a little like they tend to arrive at the same time, maybe...?
She visibly shakes off the thought.
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It would be nice if Darcy had more memories of Skully or Phil in Lyon than just being rescued from their death. Maybe it would help more.
"It gets easier to deal with, though. And sometimes stuff shows up from home at the Sundries store, so that's cool."
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She perks up a little bit at that, actually. She hasn't been able to go back home-home for a couple months already, there was no way to get anything from there back, if it's possible here...
"Really? ...has anyone had anything, like, as big as a drum kit turn up?"
She's had chance to play in Hobie's world, and that's been good, but it's not her kit. (Her kit with the photo of her and Miles hidden in it, at that.)
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one wikipedia diving later...
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Probably wrap soon?
yeah i think so
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