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TEST DRIVE MEME #1

1. now it's fun to wake up in a strange chateau
[you wake up.
it doesn't matter where you were before. going to bed? dying? opening the door to face a great evil? same result. you wake up in a soft bed with starched sheets in a cool, darkened room, sunlight peeking out from behind thick curtains. maybe you're alone; maybe you aren't. maybe you immediately notice the folded paper on the bedside table near your head. if you don't, you better fix that real quick: you won't be able to even open the door before you read it.
the note itself is written in a neat hand on white card stock; there is a stylized logo of a ship with the words SERENA ETERNA printed underneath. the note reads as follows:
Dear Passenger(s),
As your cruise director, it is my great honor to welcome you aboard the Serena Eterna, your destination for fun and adventure! We know you could have chosen any cruise line for your vacation, and we're very grateful you chose ours! On behalf of the Captain, I would like to assure each and every passenger that will we do whatever it takes to fulfill all your needs and desires during your journey with us.
At your earliest possible convenience, please attend the mandatory lifeboat drill by the end of the day. I'm sure everyone is very eager to get started on all the fun and sun, but safety always comes first! You can find your life jacket in your cabin's closet; carry it to your assigned muster station on deck one, where I will take you through the drill. If you can't find me in the crowd, just look for the gal with the winning smile!
See You Real Soon!
Sincerely,
Gal Friday
you walk to deck one. you have no other choice: every time you try to step in a direction some unseen being considers "not towards deck one," you find your legs no longer move, staying stock still, frozen. whether compelled quickly by curiosity, or delayed by pure stubbornness, the result is the same, and you are left milling around with other similarly curious or stubborn people.
you see someone in uniform near the front of the crowd. she seems to be a gal, but is missing the winning smile, along with most of her other features. she seems to see you, though, rushing to your side and placing a lei around your neck with great formality. a voice, cheery but artificial, sees to come from nowhere and everywhere.]
Welcome aboard! We're so glad to have you!
[you touch the lei. rooster feathers, lotus seeds, and a carved circle of something white and hard, linked onto a silk string.]
2. messing with my mind was fun at the time
[freshly lei'd, your legs are forced to lead out onto the deck and towards your muster station. the same woman is there, carrying a clipboard. this time, she introduces herself as Gal Friday, the cruise director, before immediately going into the muster drill spiel. it is very boring, and you are not allowed to move, except when you are required to show you know how to put your life vest on. you could try to not do this, but Friday will move to stand in front of you very closely and just. look in your direction until such a time that you decide to do it. and I'm sure your fellow passengers want you to just get on with it, too.
but, once it ends? she reiterates her desire to welcome you aboard. and, then, you're free.
well, free to move about the ship at your own leisure, of course. which is a kind of free, and probably the best one you can hope for. you could try to escape, maybe, if you have the means to; Friday certainly won't be one to stop you. that's what the barrier is for, after all.
but, wouldn't you much rather have fun?
the buffet is full. the pool is open. the casino jingles and chimes.
welcome aboard.]
3. lots of mystery in the history of the devils I knew
[you were never alone.
a few days have passed since you first arrived on the Serena Eterna. perhaps you've made yourself a little routine, and settled in a bit. or maybe you haven't done that at all. either way, you're here, and it looks like somebody is pretty pissed off about it.
it starts small. sometimes nearby plates skid off tables, or a pool chair upends while you're walking next to it. and sometimes that chair is aimed right at your head. objects are moving with quickly increasing frequency, and a wide variety of styles: some are dropped, or pushed, and others and others are tossed, but a few of the items are thrown, with great force and odd accuracy. if Friday is around during the lighter moments, she simply titters and cleans up whatever mess is made. if a pot of soup sails off the buffet line and nearly drenches you in boiling minestrone, she simply walks away.
and then there's the voices. hundreds, maybe thousands, calling out. not all are intelligible English, but you seem to understand them anyway. some sound scared, or angry. some are screams, others whispers. some sound entirely strange, while others are achingly familiar. and they're all saying the same exact thing:
Get Out.]
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Maybe it's because it's not usually allowed to use display surfaces. That's an act of rebellion just as sitting is. Something it gets to choose to do now.
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Which, on top of not having satellite feeds to download new serials from, paints a very odd picture.
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With a hmm, he takes off his glasses, fiddling with them thoughtfully. "I wonder if there is, in fact, somewhere on this ship where one could send or receive a signal--the bridge, for instance, which is mysteriously impossible to visit. But I take your point. It's a purposeful choice, isn't it? And why? To ensure we have no contact with the outside world?"
Pal finds that reasoning frightfully plausible--and it's familiar, too. "This ship reminds me a little bit of the place I was before I was brought here." A beat. "It's not a good thing."
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This unit is reasonably sure it doesn't have a soul.
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“I could barely hold together the idea of a single room, and even that should have been impossible.” This last part he tosses off casually: yes, I did create my very own tiny dimension, it was pretty cool.
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But Palamedes' certainty that this isn't an afterlife manages to (somehow) hit reassuring for Murderbot.
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“So there’s the universe we live in—or maybe universes is more accurate, given the strange variety of this place. And then there’s…what exists outside the universe. Where I come from we call it the River, and we do talk about the souls that cross the River after death, though I’d be loathe to call it an afterlife in anything but the most literal sense.” He tents his fingers together. “Some time ago, I theorized that it might be possible to create a pocket of space in the River, or at least near its edge, that could function like our universe. Like blowing a bubble in a body of water.”
“I think that might be going in here: we’re in a pocket of reality outside reality, essentially. But I need more data. And I need to find out how they're doing it.”
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Well, at least it's honest.
"I mean, I processed the words, but I can't wrap my mind around the idea of anything being outside the universe."
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"Right. Okay."
A pause, and it asks a question that it's a little sheepish about. "Is it only the humans of your world that possess souls?" And it's asked so very neutrally, it's hard to tell where the emphasis lies, on humans or his world.
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“Where I come from, scholars talk about ‘the ghost in the thing.’ The traces left behind on an object as it moves through the world that can reveal its age, where it came from, how it has been used and what it has ‘seen.’ And is that so different from a human soul? Nothing I’ve studied indicates otherwise.”
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"You're not human?" he says, his tone again one of polite curiosity.
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And yet, it came to the library because it just wants new stories.
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Skeletons. He's talking about skeletons. Which, even on the Sixth house--not a powerhouse for bone magic--do most of the manual labor.
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"In my universe, that was past the line of unethical. If something is fully organic, it's a person. Bots are more machine than not, so we're not people."
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"We use skeletal constructs for most physical labor and tasks too dangerous for human beings. And I've never had a discussion about the nature of the soul with a single one--or about anything else for that matter."
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He makes a gesture with his free hand, and the skull seems to collapse in on itself, returning to its former shape. Pal pockets the bone shard. "A revenant could possess a construct, but the construct itself would only be a sort of vehicle. Even that would be tricky, though." Brightly, he adds, "I've been working on three different papers outlining the theoretical possibilities."
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Because it speaks and thinks laterally and all that jazz. But it still knows it's constructed. Built. Not a person like everyone else on the ship is.
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