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TEST DRIVE MEME #10

a. that's where we both belong
[you wake up.
it doesn't matter where you were before. going to bed? dying? opening the door to face a great evil? same result. you wake up in a soft bed with starched sheets in a cool, darkened room, sunlight peeking out from behind thick curtains. maybe you're alone; maybe you aren't. maybe you immediately notice the folded paper on the bedside table near your head. if you don't, you better fix that real quick: you won't be able to even open the door before you read it.
the note itself is written in a neat hand on white card stock; there is a stylized logo of a ship with the words SERENA ETERNA printed underneath. the note reads as follows:
Dear Passenger(s),
As your cruise director, it is my great honor to welcome you aboard the Serena Eterna, your destination for fun and adventure! We know you could have chosen any cruise line for your vacation, and we're very grateful you chose ours! On behalf of the Captain, I would like to assure each and every passenger that will we do whatever it takes to fulfill all your needs and desires during your journey with us.
At your earliest possible convenience, please attend the mandatory lifeboat drill by the end of the day. I'm sure everyone is very eager to get started on all the fun and sun, but safety always comes first! You can find your life jacket in your cabin's closet; carry it to your assigned muster station on deck one, where I will take you through the drill. If you can't find me in the crowd, just look for the gal with the winning smile!
See You Real Soon!
Sincerely,
Gal Friday
you walk to deck one. you have no other choice: every time you try to step in a direction some unseen being considers "not towards deck one," you find your legs no longer move, staying stock still, frozen. whether compelled quickly by curiosity, or delayed by pure stubbornness, the result is the same, and you are left milling around with other similarly curious or stubborn people.
you see someone in uniform near the front of the crowd. she seems to be a gal, but is missing the winning smile, along with most of her other features. she seems to see you, though, rushing to your side and placing a lei around your neck with great formality. a voice, cheery but artificial, sees to come from nowhere and everywhere.]
Welcome aboard! I'm so happy you could join us!
[you touch the lei. rooster feathers, lotus seeds, and a carved circle of something white and hard, linked onto a silk string.
after the drill is completed, you are seemingly free to go. or, well, your legs work, now. and maybe that's as good as it's gonna get.]
b. and there's plenty of that down by the sea
[it’s strange to think about, isn’t it? how all those new passengers, the ones grumbling or shouting their way through the forced muster drill, have absolutely no idea what happened just last month. no idea about the labyrinth. no concept of why anyone around them would be a bit more hesitant around shadows.
they’ll learn.
sometimes a shadow is darker than it’s supposed to be. very rarely does anything come of that; just a vague sense that someone is watching you, and little more. sometimes, though, the shadows move. sometimes they grab at your ankles as you walk. sometimes they give you a shove as you go down the stairs. sometimes they pull your hair, or pinch your arm.
sometimes you feel something sharp cut into your lower leg.
that’s not a shadow, though. that’s a fiddler crab. you see the crab, sometimes. the cut isn’t from its claws, which don’t look very intimating; it’s not a very large crab. the cut is from the large kitchen knife crudely taped onto its back. it’s probably fine. it's not chasing you. there isn't evil in its heart. probably.]
c. think I'll go back to the Keys
[one day, in the atrium, two pedestals suddenly appear. on each is a large button: one green, and one blue. pressing the blue button gives you a little treat, popping out of thin air next to you. pressing the green button sends a small electric shock through your body. weird, but, hey, pretty avoidable, right?
except, it seems to be spreading. to every other button on board.
in the elevator. on the soda machine. the arcade. your phone. the bell on Friday’s desk.]
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He's quieter, a touch hesitant when he speaks up again, "do you need anything?"
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There's a tension in her voice.
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"I can go, if you would prefer. If you aren't new here there must be more comforting faces for you to see."
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The door opens. She's there in a school uniform, short and dark and her eyes and hair are impossibly blue. Except, in his world, she'd fit right in, wouldn't she?
"Hi, I'm Undine."
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"Good morning. I'm Shouji," he replies evenly. "Here, maybe we can get the muster drill out of the way, and then we can both have something for breakfast."
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(In this moment, she can only move forward.)
"Perhaps at Sand Dollars? I've got a weak spot for boba." This is a test: does he know about boba? Look, if there's mischief in Undine's heart, its most sharp manifestation is introducing unaware strangers to the sensation of this drink has balls!
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"They have boba?" It's the first that he's heard about it, but maybe it's on the menu as an add-on in small print and he hasn't actually paid all that much attention, considering that usually he just makes things for himself with what's immediately on hand and boba is sort of mystifying to him in general.
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Ah, shame that she doesn't know that none of the pirates are still aboard.
She considers Shouji for a moment, and then offers her arm like she's asking to be accompanied properly.
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He walks with her, keeping his strides slow so that he wouldn't be dragging her along. "The first time I had it I had to be tricked into it too," he admits with a soft laugh. "When I moved where I could actually have things like that the girls that I went to school with decided that I apparently needed to try a bunch of new things like that."
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"Girls are like that sometimes. Did they try putting nail polish on you at some point?"
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"No actually, that dubious honor was given to another friend. He's more of the...goth? Type?"
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The question makes him look down at his hand, actually thinking about that a moment. "Probably? Since it'd still be stuck on the skin. I didn't want to test that and end up ruining his work but...huh."
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Look, sometimes, she just wants to play.
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Has it occurred to her that he, with the whole mask thing, is hiding deliberately? Fuck no.
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"Uh...like this, usually." And the end of one of the other arms morphs into a round eye that blinks serenely at her from there.
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By this point, they've just about reached the muster, and Undine gives Friday a somewhat mocking curtsy.
"You're waiting for me, right, Shouji?"
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"It would be extremely rude not to."
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"So, I've got a question for you, and I think it might end up being a little rude, but I'm going to try to ask it in the least little rude way possible. Is that okay?"
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The hesitant approach to the question gets an even look, and he straightens up from where he's been leaning. "Trust me, whatever you've got it in mind to ask, it probably won't be near as rude as most of the things I've heard."
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Really, what she’s asking is if he’s the only one like him, but she doesn’t want to make it sound like she thinks he might be a freak. But…
…he is hiding, isn’t he?
Even as she asks, she’s taking his arm again. It feels important. Because if he is unique, he probably exists in a world where he’s expected to make his oddities useful somehow. And she understands that so intimately.
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As in, they have their own classification. And if Undine knows her prefixes, she'd realize that the classification is based on the distinct difference in morphology.
He accepts her hold on his arm, the opposite hand coming to rest lightly over the back of it. He's deliberate and gentle about every move he makes.
"I take it that it isn't something in your world."
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